Periodicals are a goldmine for historical research as they contain different types of information. However, it is sometimes difficult to extract this data. The layout of these journals often contain multiple columns, lists, tables, various fonts and sizes, and a combination of text and images which all complicate the extraction process. Nonetheless, I was curious about the lists of recommended establishments that were published in showpeople periodicals. These lists are tucked away between running text about correspondence, marriages, meeting reports and much more. Within the Belgian Comète…

In the shadow of the Royal Library of Belgium in Brussels, an extraordinary collection of over four hundred fairground ephemera recently surfaced at a vintage poster shop. This historical trove comprises an assortment of advertisements from the funfair season in the city of Leuven, providing a vivid glimpse into the world of popular visual and performance culture around 1900. These fragile documents shed light on many facets of fairground culture during that time, including the promotion of attractions and personalities, the variety of spectacles, and the overall organization of the fairs.…

The fair used to be a place to have fun, but also to discover something new. Young and old alike prepared to visit the lion tamer, the boxing stall, or the levitating lady, but they also learned about pregnancy and childbirth. Professor Nele Wynants (UAntwerp) and actor-magician Kobe Van Herwegen visited one of the oldest forains (showpeople) in Belgium: François Delforge. A seventh-generation forain, he can still vividly recount his fairground past throughout the 20th century.

Since 1883, Der Komet has been a pioneering journal, serving as a compass for fairground entrepreneurs and travelling traders. The periodical played a vital role in the professionalization of the fairground industry and chronicled over 140 years of German fairground culture. As such, it is a valuable resource for researchers interested in the cultural history of fairgrounds, media and film history, and the history of knowledge and technology. Current digitization campaigns, supported by the SciFair project and its partners, aim to make this rich historical material accessible to a wider…

What role did science and technology once play at the fairground? And how were new technologies such as X-ray technology, photography, and film presented and disseminated through the travelling network of showpeople? PhD researcher Tim Overkempe is currently investigating all of the questions above for the period 1850-1914 within the Science at the Fair project at UAntwerp. While most of us might associate the funfair with nostalgia and perhaps a touch of old-world charm, this was certainly not always the case in the past. Instead, the fairground was often the place-to-be to wonder at new…

Nele Wynants is a professor of art and theatre studies at UAntwerp. Her research is on the interface of science, media and performance. In her EU-funded project Science at the Fair, she explores the world of travelling science shows in the 19th century. She told us about how the project came about and made a passionate plea for more room for chance, intuition and unexpected twists in research. When we think about ‘science for the public at large’, the first thing that comes to mind nowadays is large science museums or interactive experiences such as Technopolis. In the 19th century, however,…

Travelling zoos were a common and very popular form of entertainment in the long nineteenth century. Also known as menageries, they were large companies that moved around with various exotic wild species such as lions, tigers, and elephants. For young and old alike, it was often the first and only time they got to see these impressive quadrupeds. Even though they were considered mainly a form of travelling entertainment at funfairs, I will show that itinerant zoos were also an important hub for the circulation of various forms of knowledge. In recent years, historians of knowledge have been…

“Auf dem Markt fing alles an!” – “It all started at the market!”. That was the motto of the former Markt- und Schaustellermuseum in Essen, Germany.  The museum, which unfortunately closed in 2021 after 25 years, showed that the precursors of our modern-day doctors, pharmacists, bankers, trading companies, marketeers and recruiters, as well as artists, musicians and show people often earned their daily bread at the local fairs. Given the relevant scope of the museum and its rich body of sources, a research trip to Essen by SciFair researchers was a priority, especially since the variety of…

A Nigerian medical student went viral when he shared an illustration of a black pregnant woman.The image stirred up emotions as people realized they had never seen this kind of image of someone of colour. SciFair PhD student Gitte Samoy reflects on this ‘new’ insight. The viral image made something painfully clear: even in the twenty-first century, the medical field was still presenting the white body as the default. It not only revealed a lack of diversity in the medical field, but also demonstrated another point: although these images claim to be neutral recordings of reality, visualizing…

Strolling across a nineteenth-century fairground, we would be greeted by a variety of attractions: illusionists mesmerizing the public with their visual deceptions or animal tamers displaying their courage and control over exotic animals. Others tried to capture people’s attention by displaying wax figures with curious diseases in their travelling museums, and panorama owners transported people to faraway places. But who were these showpeople really? What happened outside of the public’s eye? Because behind these staged personae were people who tried to earn their living and for whom this…